Exhibitions
Over the course of several years, Andreas Waldschuetz has presented his work across a diverse range of international platforms, from experimental film festivals to contemporary art institutions.
2013
tintagel at the ASVOFF6 Festival at Centre Pompidou / PARIS
2012
"Silentium" – Group Exhibition "A day in Kayamandi"
2013
Collective exhibition: "the house of drift" by sound:frame Festival at the Museum of Modern Art / VIENNA
2011
META.MORPH at the Fashion Video Festival 2011 / BUDAPEST
2012
"Mr. and Mrs. Bugg" at the ASVOFF5 Festival at Centre Pompidou / PARIS
2011
META.MORPH at the ASVOFF4 Festival Centre Pompidou / PARIS
2012
SFIFFF – "WHAT IF" Screened at ModaCine Films 2012
2010
Sand People at the 10 Festival for Photography / VIENNA
His photographs are not simply composed; they are constructed worlds built from light, atmosphere, costume, and character. Each image holds tension: between beauty and ruin, silence and intensity, elegance and edge. In both fashion and commercial work, Andreas brings a singular voice that challenges traditional narratives and visual clichés. His campaigns and editorials don’t decorate - they haunt, provoke, and linger.
Working across fashion, art, and advertising, Andreas collaborates closely with stylists, set designers, and performers to develop striking visual stories that resist automation. His process is hands-on, deliberate, and rooted in craft—an approach that favors intuition, texture, and unpredictability over digital smoothness.
In an age of algorithmic image-making, his work stands as a reminder that human presence, vision, and imperfection cannot be faked.
Whether creating portraits, fashion films, or large-scale exhibitions, Waldschuetz’s work consistently pushes against the expected. He is less interested in trends than in timeless intensity—and in images that cannot be generated, only imagined.
About Andreas Waldschuetz
Andreas Waldschuetz is a Mallorca-based visual artist whose photography and film work refuse to follow the mainstream. With a background rooted in self-taught experimentation and a passion for storytelling, his imagery draws from a deep well of cinematic references, dream states, and dystopian visions, often evoking a future that feels both seductive and unsettling.